by TESHA M. CHRISTENSEN
In the Heart of the Beast Theater (HOTB) has already said farewell to
two staff members, and by June 2019 it won’t have any full-time staff
left.
But it isn’t disappearing.
Executive Director Corrie Zoll is hopeful about the organization’s future and believes it is full of exciting possibilities.
“This is an extremely painful moment,” Zoll admitted. “At the same
time, I’m really looking forward to conversations with people about what
is possible.”
WHERE DOES THE MONEY COME FROM?
HOTB announced in January its plans to significantly reduce its
operations in 2019 and cut staff. Grants it had been counting on when
the budget was made in August did not materialize.
HOTB relies on a variety
of funding sources, including foundations, donations, and grants.
Complicating things is that most of the funding available for arts is
given to new projects. Programs that are ongoing are not typically given
the grants that are available, Zoll noted. While Minnesota is lucky to
have so much money available for the arts courtesy of the Legacy
Amendment, it is not given to fund ongoing projects either. HOTB does
receive some operating support through the Legacy Amendment, so it is
ineligible for the festival support program for MayDay.
Last year, HOTB had expected to receive a $30,000 foundation grant
that it did not get, which meant that MayDay operated at a loss of over
$50,000. This was covered by reserve funds but HOTB can’t continue to do
that. For about the last 10 years, MayDay has operated at a loss of
between $20-30,000, according to Zoll.
After the 2016 election and through 2017, HOTB saw an increase in
individual donations, which Zoll feels was from a desire to invest in
what people believed in. In
2018, there was a significant drop in donations. “Now it seems that
people are much more scared of where the economy is going and being more
cautious in their investments,” Zoll observed.
Prior to the cut, HOTB had 15 permanent staff members; nine were
full-time and six were part-time. By June, there will be half as many
staff members and no one will be full-time, not even Executive Director
Zoll who expects to work three days a week.
Staff members will leave as grants for their programs run out.
HOBT will present Puppet Lab performances as planned March 15-16 and
March 21-22. This will close out a project that began last June courtesy
of a Jerome Foundation grant that focuses on providing support for
early career artists.
Puppet Cabaret (an evening of short, experimental puppet acts) will
still be presented on Feb. 14, and HOTB will continue to share the
Avalon Theater as a rental venue for events and performances.
Many people in Phillips don’t know that HOTB has been a offering
after-school and summer programs for kids at Little Earth, the Waite
House, and Collaborative Village, pointed out Zoll. About 150 kids are
part of this year-round program that focuses on telling the stories of
the Phillips neighborhoods and participants’ cultures. Along the way,
children learn shadow puppeting, stilts, storytelling and more.
For seven of the last eight years, this program has been funded by
the State Arts Board, but it has not been funded for this year.
In the two and a half weeks after its announcement, HOTB received
$20,000 in individual donations. It will continue fundraising for this
year’s MayDay event, which planners began working on in September.
MAYDAY: PART OF THE NEIGHBORHOOD IDENTITY
HOTB has decided that 2019 will be the 45th and final year that it
will solely produce its annual MayDay celebration. In recent years,
HOBT’s MayDay brings in approximately $150,000 in income, mainly from
individual donors. Annual costs for producing MayDay, however, generally
land between $180,000 and $200,000.
MayDay 2019 will also be the last year that the event is led by Sandy
Spieler, who has been a part of the event since the beginning. She
decided a year ago that it was time to step aside to make space for new
artists to lead.
Zoll has been the executive director of HOTB for the last 3.5 years,
but as a 25-year resident of Midtown Phillips he’s been at the majority
of the MayDay events. He recalls acting in a production at Theatre de la
Jeune Lune, where he first heard about MayDay.
“People there were talking about MayDay as the greatest moment of the year in Minneapolis,” Zoll stated.
They all told him he had to go – but had troubling explaining just what the event was.
He went. “As an artist, at the time it struck me as exactly
everything that art should be,” he said. “It was relevant. It was
dealing with current things happening in society. It involved laying
around in the sun in the grass. It was running into neighbors you
haven’t seen all winter. People would participate in it on any level
they wanted to.”
MayDay has become a part of the very identity of the neighborhoods it
goes through, as well as the ones that are adjacent to East Phillips,
West Phillips and Powderhorn Park neighborhoods, he pointed out.
There are banners up on Lake Street and tiles embedded in the sidewalk. Many south Minneapolis garages house puppets.
“For many people it is the most important holiday of the year,” said
Zoll. “There are many stories of people who get engaged in the park on
MayDay; who get married in the park on MayDay; or have their ashes
scattered in the place where the Tree of Life happens.
“It’s really humbling to realize people think of it this way.”
In 2016, 50,000 attended MayDay. It grew to 55,000 the next year, and 60,000 people came in 2018.
“The event has gotten too big for us to produce on our own,”
acknowledged Zoll. “A MayDay with more genuinely shared ownership could
be a much stronger MayDay and more inclusive.”
Perhaps puppets will be made at more locations than the HOTB location
at the Avalon. Maybe it will become a weekend event or a week-long
event.
“So many people tell us how important MayDay is to them. We want to
spend the next four months having conversations about it,” said Zoll.
“What is possible for the future of MayDay?
“The best we can do at this painful moment is look at re-starting things from scratch.
“What would be a more resilient way to do it?”
SHARE YOUR THOUGHTS
HOTB has put out a request for proposals (RFP) to bring in a consultant to help engage the community and identify stakeholders.
Be a part of the conversation by signing up for the email list at
www.hotb.org, and pay attention to web site and Facebook updates.
“We want this MayDay 45 – if it’s going to be the last – to be a big one,” said Zoll.
“Let’s make Sandy’s last MayDay an amazing thing.”
How to help HOTB
Give Your Financial
Support
• Give any amount online or via mail.
• Hire HOBT to bring an arts residency to your school, park, or place of worship.
• Rent the Avalon for events up to 200 people. Beer and wine service available.
• Buy tickets to Puppet Lab and Puppet Cabaret events this spring.
Give Your Time
•MayDay relies on 1000 volunteers. Spend just part of your
MayDay (or the days before or after) sharing the scores of tasks that
need doing. Sign up online.
Give Your Ideas & Input
• Say what’s on your mind.
• Find more detailed information at hobt.org/imagine
HOBT’s decision to reduce its operations comes at a challenging time for midsized arts organizations
in the Twin Cities. Peer organizations that have been temporarily or permanently impacted by similar challenges
over the past two years include The Soap Factory, VSA Arts, Red
Eye Collaborative, Intermedia Arts, NEMAA/Art-A-Whirl, Art Shanty
Projects, Patrick’s Cabaret, and Bedlam Theatre.
Article printed in the February 2019 edition of The Alley newspaper.
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